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A detective is hired by a mysterious woman to find her missing husband, a master of disguises, and important industry executive.

A woman experiences the boundaries of her body as she contemplates life, death and love.

A depressed filmmaker has an existential crisis.

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Comedian Mort Burke's (Drunk History, Mythic Quest) first special is a hilarious rumination on sobriety, hyper children and loving parents, Blockbuster, breakdowns, hilariously suicidal ideations and their appeal, and his feelings about having the name of an 80 year old. Mort addresses how weird being straight is while using ALL the swears. (Well, maybe not all, but a bunch.) He talks about spirituality too, which is kind of rare. If you don't hate laughter, you'll love this special!

To what extreme would the death of your beloved pussy drive you?

A man lost between life and death confronts all sorts of events that turn him into real voracious cannibal. It is taken strange bloody hallucinations which push him to fill his hunger and to fight against demonic forces.

A man lost between life and death confronts all sorts of events that turn him into real voracious cannibal. It is taken strange bloody hallucinations which push him to fill his hunger and to fight against demonic forces.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”